Traditional morality would suggest that stopping someone else'swedding is not the right thing to do, particularly since this act wouldbenefit primarily the perpetrator. This is unconditional love, wherein the individual puts others' needs anddesires ahead of his own. While no one in the audience would probably want to become thevictim of someone like Sanjay, who-although he is a likeable guy-is bentsolely on getting what he wants regardless of the expense to anyone else,Sanjay is the one the viewer is rooting for. In this movie the viewer finds that for the sake of romantic love, alldeception, manipulation, and unfair advantage taken of others is consideredacceptable, and even commendable. While romantic love may be considered good and noble, it cannot beconsidered on a par with unconditional love-especially when it runsroughshod over other people's wants and needs to gain its own. Mere Yaar Ki Shaadi Hai The predominant theme in the film Mere Yaar Ki Shaadi Hai is that lovejustifies itself. It is clear that Sanjay has long ago given up his rightto pursue Anjeli by virtue of his inability to take any action towardprofessing his love or creating a relationship, yet when he finds out thatAnjeli is going to marry Rohit, Sanjay springs into action to stop thewedding. The viewer looking for reasons to dislike Rohit as a suitor for Anjelicannot find many. Although he does not do anything truly evil,like trying to harm Rohit, stealing his bride-to-be away cannot beconsidered purely good, either. Moreover, Rohit trusts Sanjay, notrealizing at first that he is out to halt the wedding and marry Anjelihimself. Love as justification is simply amanifestation of the "end justifies the means" philosophy, except that thatthe end must be for two people who love each other to get together. Real love is profound and life-changing, and it isnever forgotten, whether one experiences it in real life or just on thesilver screen. No matterwhat Sanjay does to try to break up the wedding, it is justified by thefact that he loves Anjeli. He too is a likeable guy, and he actually handlesfinding out about Sanjay's trickery rather well. Love as a concept precludes the acts that Sanjay engaged in-deceivingsomeone, manipulation, and using another person to gain one's own ends.Rather, true love for others is evidenced by giving of oneself for others,even sacrificing what one wants so that the others can have what they want. Throughout the movie, she appears tobe teasing and flirting with him-yet another manifestation of takingadvantage of someone rather than truly loving him-while Rohit appears totruly care for her. Violating trust, playing tricks, andinterfering with other people's impending nuptials would seem to be mostunethical in most instances, but here Sanjay gets away with it all becausethe movie's underlying message is that love justifies these actions. Hadhe not truly been in love with Anjeli, presumably the movie would havedepicted him as a scoundrel, but since he is doing all these things forlove, he is portrayed as a good-hearted young man who just wants to winAnjeli's heart because he loves her so much. In the last analysis, as endearing as this film is, itstheme of justification solely on the basis of romantic love leaves it weakand forgettable by comparison with stories of selfless love. 2 2. In this film, however, it is not thisunconditional love that is honored, only romantic love. This filmreverses the usual moral order and elevates selfish romance above selflesslove. From a standpoint of sheer morality,this suggests that Rohit should be the hero of the film, yet it is Sanjaywho gets the girl despite his long list of shenanigans. The theme of love justifying itself is often found in romanticcomedies like Mere Yaar Ki Shaadi Hai but rarely in great love stories.That is because while the viewer may be entertained by romance, what eachof us craves is to be truly and completely loved in a selfless andunconditional manner. In the song "JaageJaage," Anjeli gestures that she is cold, and Rohit gives her his jacket.Then she gestures again that she wants his shirt, and he is ready to takeit off for her, but she throws the jacket in front of her and gets up andruns toward it, leaving him behind. This use of love as justification is like carte blanche. Sanjay does notagonize over what would make Anjeli happiest or what he should do tocontribute to her happiness; his sole thought is for what he himself wants. Rohit is the one that might be viewed as noble,especially given the fact that once he realizes that Sanjay and Anjeli loveeach other he actually goes out of his way to help them get together atlast so that they can get married. Thus, it is not precisely love that isbeing exalted in the movie but romantic love that is shared between twopeople. Yash Raj. Rohit appears to love her too, but he hasnot loved her for as long as Sanjay does, and thus Sanjay's lifelong lovetrumps Rohit's newfound love. In the movie, Sanjay has always been in love with Anjelibut has never had the courage to tell her so. Sanjay resorts to a variety of tricks to stop the wedding, andeven attempts to make Anjeli jealous by having his friend Ria pose as agirlfriend, which does not work. Since he does, in fact, winthe girl in the end, the movie suggests that romantic love is moreimportant than selfless unconditional love. Rohitand Ria come up in the equation as two people who must be gotten out of theway so that the two lovers can be together, and there is little regard fortheir feelings in this scenario. Works CitedMere Yaar Ki Shaadi Kai. She has always loved himalso, but since he has not expressed his love to her, she moves on andfinds someone else to marry-Rohit, who is a New York doctor coming to Indiato find a bride. It is anengaging bit of fluff, but it is not a movie to gauge real love by.
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